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Gingerbread Folkart presents Country Manor Florals featuring Old World Colourglazing

34 pages, 1987, Sharon Furner & Dorris Sorensen

Pages 2-6 Colour Photographs of Old World Colourglazed Pieces 7 Introduction and Table of

Contents 8 ‘What Shall I Old World Colourglaze ?” “What Do I Need to Begin ?” 9 ‘What Shall I Do To

Get Started?” “Old World Colourglaze Recipes” 10 “How Shall I Prepare My Piece for Old World

Colourglaze?” “How Shall I Apply MyOId World Colourglaze ?” “How Do I Finish My Piece ?” 11

‘Which Techniques Shall I Use with MyOId World Colourglaze?” 12 Continuation of Above “How Do I

Hand Decorate My Pieces ?” 13-14 Old World Colourglaze Techniques -coJour plate 15 Country

Manor Pickling Techniques -colour plate 16 Bud, Berries, and Blooms -colour plate 17 Borders,

Bows, and Frills -colour plate 18 Leaves, Daisies and Roses -colour plate 19 A T ouch of Eleganc~ :.

Scrolls and Crosshatching” colour plate -~ 20 Country Manor Daisies and Roses -colourplate , 21-22

“How to Paint” Techniques for the Beginning Artist 23-30 Country Manor Floral Designs for the Artist 31

Colour strokework Sheet for the Beginning Artist -colour plate 32-36 Colour Ph-otographs of Old World

Colourglazed Pieces We are very appreciative to Leslie Brown, for the use of her lovely home where

we photo- graphed our pieces. A heartfelt thank you to MarIo Lee, the artist behind the camera! His

talent imparts to all of us beautifull~ photographed pages. True appreciation to Al Ashe from Paragon

Press who gave us the needed guidance to put together a book as this. He is a true professional who

makes sure o1=4r work is presented at its very best. Thank you for being our friends.

Name inside front cover, NO other WRITING, NO RIPS, NO TEARS, BINDING staples are intact, minimal SHELF WEAR


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